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expo awards
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      U.K. Pavilion (The Hive)
      Client: U.K. Trade & Investment
      Design: Wolfgang Buttress
      Fabrication: Stage One
      PHOTOS: Crown Copyright, courtesy of UK Trade & Investment
      Expo 2015 Awards:
      Best Exhibit
      The U.K. Pavilion offers an experiential journey taken from the perspective of the honey bee. Inspiration for the pavilion was derived from research and groundbreaking technology developed by Dr. Martin Bencsik of Nottingham Trent University to monitor the health of beehives. The journey depicts a series of landscapes: The Orchard, The Meadow, and The Hive, which are all important to the role bees play in pollination.

      In The Orchard, guests are exposed to videos and informational placards explaining, among other things, how to make a bee house out of bamboo.

      The Meadow is a lush space punctuated by pathways for people to explore as they meander toward The Hive. But, before ascending into The Hive, visitors enter a room starring various exhibits detailing the inner workings of a beehive, and preparing guests for their own hive experience.

      WHAT THE JUDGES SAID
      "The Hive will undoubtedly be the most remembered architectural icon of Expo 2015."
      The Hive is a 30-ton aluminum-lattice cube with a spherical opening at its center. There, audiences gather atop translucent flooring to witness a light show of more than 1,000 LED fixtures. The bulbs' pulsating, irregular patterns are a visual representation of information transmitted from a real beehive located in the U.K. that tracks bees' movements. "The Hive will undoubtedly be the most remembered architectural icon of Expo 2015," said one judge. "This exhibit, in every way, succeeds as a multisensory master class on experiential design," said another.

      A hypnotic soundtrack that almost resembles chanting monks serves as an auditory blanket, enveloping visitors in the awe-inspiring experience. The spellbinding sounds cocooning visitors inside The Hive are derived from the same U.K. hive responsible for the entrancing illumination.


      HONORABLE MENTIONS

      Belgium Pavilion (The Cave)
      Belgium Pavilion (The Cave)
      Client: Commissariat Géneral du Gouverment Belgue
      Design: Patrick Genard y Asociados SLP
      Fabrication: Sm Besix Vanhout
      PHOTOS: Cyrille Dubreuil
      Even with master chocolatiers creating edible sculptures for visitors, the centerpiece in many ways of the Belgium Pavilion is The Cave. Set in an artificial basement, The Cave plunges visitors into an ambience of darkness where the highlights are experiments in alternative food production that will sate the hunger of a projected population of 9 to 10 billion by 2050. Behind glass walls, containers of hydroponic plants using mineral nutrient solutions in water, without the benefit of soil, flourish. Nearby sit aquaponics tanks teeming with edible marine life, whose wastewater is then fed to the hydroponic flora, which breaks the by-products down and utilizes them as enriching nutrients, creating a mutually sustaining ecosystem of food. In other areas, mushrooms are grown from nutrient-rich (and otherwise tossed away) coffee grounds, and insects are explored for the ways they might be cultivated to create lip-smacking delicacies, such as pasta and pate made from mealworms.
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          Switzerland Pavilion (San Gottardo – Acqua per l'Europa)
          Open Air Theater (Allavita!)
          Client: Programma San Gottardo 2020
          Design: Netwerch AG
          Fabrication: Nussli Group
          photos: Valentin Luthiger
          Chiseled from the San Gottardo mountains' own granite, the remarkable 23-ton, 3-D model of the Swiss peaks illuminates the crucial role they play in providing water not just for Switzerland's ecosystem but also Europe's as well. By adjusting nearby levers, visitors operate a wooden apparatus hanging overhead that mimics a vintage Swiss method for channeling water. The subsequent "rain" that visitors pour on the 1:25,000-scale mountain range from the ceiling-mounted device splashes onto carved-out channels signifying the Rhine and Ticino rivers, among other bodies of water that sustain the country and its neighbors. On the walls surrounding the model made of igneous stone was text acclaiming the mountain range's role in providing water for a parched continent whose glaciers are fast shrinking and for which looms the threat of vast deserts usurping its green farmlands.
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